Caution: Spoilers!
Based on William Joyce’s A
Day with Wilbur Robinson, the film follows Lewis, an orphan and aspiring
inventor, who is transported to the future in a time machine piloted by the
enigmatic, fast-talking Wilbur Robinson. Before long, he becomes acquainted
with the entire Robinson clan, resulting in a humorous adventure filled with
witty one-liners and plot twists galore! Despite some minor issues with the
narrative, particularly towards the film’s conclusion, overall it’s funny,
smart, and carries with it a heartfelt, positive, moral tone.
The Robinson family themselves, despite their purposeful
unconventionality and outlandish behaviour, are strangely endearing, not to
mention believable, bizarre as it may sound. There are instances, however, when
this unconventionality is a little forced. The meatball fight scene at the
dinner table springs to mind. But overall, these scenes are few, and hardly
detrimental to a plot that is unexpectedly heart-warming, well-established and
intelligent.
My only major criticism would be that the pacing becomes a
little fraught towards the end of the film, due to the convoluted and
nonsensical consequences of time travel. The fact that Lewis’ proclamation that
he will never invent bowler hat ‘Doris’ makes Doris combust instantaneously is,
frankly, a rather rushed and unsatisfying resolution, while his showing Bowler
Hat Guy the alternate, dystopian future makes no sense as that particular time
stream would not exist due to his already having vanquished Doris. Admittedly,
I’m being nitpicky here; it is likely that this was acknowledged during the
creative process, taking into account the fact that the film is rather lengthy
as it is without addressing this issue. Instead, there seems to be a more
prominent focus on character development, humour and an emotional back-story,
rather than on developing an accurate, complex time travel narrative, which
ultimately pays off.
The comic timing is spot on – it’s fast-paced, witty, and
refrains from being too condescending to young audiences. Some of the humour
is, admittedly, quite juvenile, but at other times it’s actually surprisingly
sophisticated. Music is also one of the film’s most memorable aspects, with a
characteristically quirky score composed by the easily-recognisable Danny
Elfman, and songs by the likes of Rufus Wainwright and Rob Thomas.
On a concluding note, it was a nice touch that the film’s
main moral – ‘Keep Moving Forward’ – derives from a quote by Walt Disney, as
referenced at the film’s conclusion, although there are times when the
enforcement of this moral feels a little laboured. In all, however, its repeated
usage only serves to make the film’s accompanying message seem all the more
accomplished. While not faultless, the film serves as an example that a decent,
heartfelt story can be told through computer animation, and is, in itself, indicative
of a bright future in terms of animation. Without a doubt, much like the moral
it promotes, for Disney, Meet the
Robinsons represents a sure-fire step in the right direction.
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