Today I read that Disney are working on a live action
adaptation of the Night on Bald Mountain
sequence from Fantasia (1940). The
original sequence, scored by Modest Mussorgsky and arranged for the production by
Leopold Stokowski, sees a giant, menacing, winged devil figure (Chernabog) resurrect
the dead, in one of the darkest pieces of animation ever produced by the
studio. Upon hearing the sonorous peal of church bells, and a choral rendition
of Franz Schubert’s Ave Maria, the
evil souls retire to their graves as the devil solemnly recoils, and the darkness
is overcome by heavenly light. The sequence is perceived by many casual viewers
and animation fanatics alike to bear artistic merit in its visual conveyance of
the power of solidarity in worship, and the triumph of good over evil. Now,
initially I did not consider a live action adaptation to be a bad idea, especially
considering its potential visual impact. But then I thought, perhaps it risks
sacrificing the symbolism and succinctness of what is essentially a piece of
art, and what is regarded as one of the most memorable, dramatic and impressive
animated sequences of the 20th Century.
Now, let’s not jump to conclusions. There’s no knowing precisely
what they plan to do, creatively, in order to extend its narrative to that of a
full-length feature. What’s more, Disney’s animated canon is no stranger to
live action regeneration, and they’ve previously succeeded in terms of box
office revenue. In 2010, Tim Burton’s re-imagining of Alice in Wonderland hit the big screen and, while it attributed its
primary source basis as the Lewis Carroll novel and bore no specific ties to
the animated original from 1951, it nonetheless conveyed itself as something of
a darker, 21st Century modification, despite representing something
of a sequel to the original story. In 2014, Angelina Jolie starred as Sleeping Beauty’s (1959) iconic villain,
the nefarious Maleficent, and just
this year, Cinderella (1950) has been
retold in the form of a live action movie. In light of these successes at the
box office, Disney have also given the green light to a number of other
productions with animated predecessors – Beauty
and the Beast (1991), Mulan (1998),
and even Winnie the Pooh (1977,
2011). However, while I’m certainly not going to doubt the production value of
these features, I do question the overall quality, for it does seem rather lazy
to keep regurgitating old ideas.
Yet I have to admit this concept is an interesting one, and
certainly not something I saw coming. Night
on Bald Mountain is one of the closest representations of animated ‘horror’
that I’ve seen – the imagery is just sublime. If they were to produce a live
action version, it could be, visually, incredible. But let’s not forget it’s
Disney we’re talking about here. This potential might only be realised should
Disney not make the mistake of turning this sequence into a vocal performance,
let alone (God forbid) a musical. Should they spoil this nightmarish, harrowing
portrayal of the contrasting entities of good and evil with a saccharine,
wise-cracking, show tune-singing Chernabog, then I might just give up on Disney
once and for all.
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