Monday 21 September 2015

Felix’s Fact File: Technological Innovations (2): Eadweard Muybridge and the Zoopraxiscope


Born in 1830, Eadweard Muybridge made a name for himself as a skilled photographer and inventor, and, in a sense, inadvertently became a vital component, not only in the establishment of film, but also of traditional animation. After having been acquitted for the murder of his wife’s paramour (!!!), Muybridge made a revolutionary discovery in aid of the capturing of motion on film; a process which provided the foundations for an as-of-yet undiscovered industry – that of motion pictures.

 
Born Edward James Muggeridge, Muybridge immigrated to America at the age of twenty, to work as a bookseller in New York. He later relocated to San Francisco, and developed an intense interest in photography. During a business trip, he was injured in a stage coach accident, resulting in a notable behavioural alteration, which modern neurologists claim might have led to his eccentricity in later life. After having recovered, he took up photography full-time. He most famously photographed Yosemite Valley, amongst other panoramic landscape scenes.

In the late 1800s, California Governor Leland Stanford contacted him in aid of research into whether all four hooves of a horse left the surface at any one time. Since this could not be observed by the naked eye, photography posed a potential solution. In 1872, Muybridge experimented sequential photography with a total of twelve cameras. In 1875, he shot and killed his wife’s paramour, Major Harry Larkyns, believing that he had fathered their son. Remarkably, Muybridge was acquitted, on the grounds that his actions were somehow justified. Astoundingly unfazed, he resolved to continue his work, and in 1879 he managed to perfect his galloping sequence (entitled Phases of a Stride by a Pony While Cantering and, alternatively, The Horse in Motion), concluding that all four hooves did indeed leave the ground.
The Horse in Motion

Between 1883 and 1886, he attended the University of Pennsylvania, producing a vast quantity of similar sequential photographic material, capturing animals and humans in motion. In 1879, he invented the zoopraxiscope, considered by many to be a prototypical device for the projection of moving pictures. He toured Europe and North America, presenting his device to the masses, in addition to publishing a number of books on the subject of motion capture.

Muybridge died in 1904, at his cousin’s house, having laid the foundations for motion capture – establishing him as a significant figure in the development of film and animation.

 

Sources:

Biography.com: Eadward Muybridge Biography: http://www.biography.com/people/eadweard-muybridge-9419513#personal-life-and-death

Tate: Eadward Mutbridge: http://www.tate.org.uk/whats-on/tate-britain/exhibition/eadweard-muybridge

Wild Film History: http://www.wildfilmhistory.org/person/180/Eadweard+Muybridge.html

 

Image Sources:

Meet the Art – Eadweard Muybridge Photographs of Motion: https://www.youtube.com/watch?v=FYKZif9ooxs



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